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“As young designers, we live in a time where we can set in stone our visions for how our cities and spaces should exist.”
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| | | In Marseille, an Art Show Wants You to Get Naked
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| What’s Happening: Once a month, a thorough museum exhibition about the history of naturalism lets visitors partake in clothing-optional visits.
The Download: Marseille has become one of the leading hotspots for European nudists, where multiple clothes-optional beaches and naturist communities luxuriate in the Mediterranean’s balmy climes. So there’s no better place than the city’s Mucem, the Museum of European and Mediterranean Civilizations, to stage “Naturist Paradises,” an exhibition about the art of living in one’s birthday suit. More than 600 paintings, sculptures, photographs, films, and objects chronicle the past century of France’s dalliances with nudism, a counter-cultural movement that arose in the early 20th century. In the face of rampant industrialization and urbanization, some believed the utopian ideal of returning to the land and exposing one’s body to the elements was medically beneficial. The reality might be murkier, but it’s hard to argue that increased absorption of Vitamin D and fresh air doesn’t relieve at least a little bit of stress.
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Besides setting out to chronicle the movement’s rise, the show also disproves the popular belief that it was simply a fad from the sixties. “A new craze for nudity in nature has arisen,” the museum’s curators explain, “going hand in hand with the search for healthy, vegetarian diets and the use of natural therapies, meditation, and yoga in the open air.” Archival photography of André and Gaston Durville’s naturist club Héliopolis in Île du Levant, an island off the French Riviera, shine a spotlight on the holistic, vegetarian life the brothers pioneered; there are also graphic posters advertising nudist communities as far away as Leysin, Switzerland. Visitors to Mucen are even encouraged to take part. On one Tuesday per month, the museum is hosting clothes-optional visits with the region’s naturist communities.
| | In Their Own Words: “The heart of naturism is to reconnect with nature, to rediscover your naked body,” Amélie Lavin, one of the show’s curators, tells ARTnews. “I hope that the exhibition also allows us to question the equation that we systematically make between nudity and sexuality. The exhibition shows a lot of naked bodies but it’s not at all about sexuality.”
| Surface Says: If walking around a drafty museum naked isn’t your vibe, the show is still worth seeing with clothes on, too.
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Reach the design world every morning. Find out more about advertising in the Design Dispatch.
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| | | A Speakeasy-Style Steakhouse Checks Into the Four Seasons
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| AvroKO has made its name by crafting gobsmacking, transportive interiors for some of hospitality’s most prestigious names. Their latest, Chicago Rare, an Art Deco–esque dazzler of a steakhouse in Doha, is no exception. For proof, look no further than its oxblood leather banquettes and the downright cinematic cake shade lighting in its foyer. After a milk-fed veal chop, or platter of duck fat fries served with parmesan and truffle salt, head to its copper still-inspired cocktail bar, which pays homage to the Prohibition era with its speakeasy atmosphere. Keep the party going with a stop in at the adjoining cigar lounge, which hosts live jazz performances.
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| | | Chloë Bass Is Asking Us Life’s Deepest Questions
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There’s much more to see at the newly OMA-restored Buffalo AKG Art Museum than a kaleidoscopic pavilion. A few years after launching Wayfinding at the Studio Museum in Harlem, artist Chloë Bass now brings the series of reflective signage to the campus and its accompanying Delaware Park designed by Frederick Law Olmsted. On each sculpture, Bass asks a hard-hitting poetic question—How much of care is patience? How much of love is attention?—that intends to promote contemplation as one wanders through the grounds. Given that it’s impossible to experience each of the 48 signs at once, the questions add up to a larger gestalt and practically guarantee that each viewer’s pathway through Wayfinding will be unique.
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| | Our weekly roundup of the internet’s most preposterous headlines, from the outrageous to the outright bizarre.
We Bought Everything Needed to Make $3 Million Worth of Fentanyl. All It Took Was $3,600 and a Web Browser. [Reuters]
Luxury Heir Alleges His $13 Billion Hermès Fortune Has Vanished [Business of Fashion]
The City of London’s Tallest Skyscraper Could Look Like a Toilet Seat in the Sky—and That’s Not Even the Worst Thing About It [The Guardian]
Why Is This Museum’s New Logo a Pigeon Pooping? [Artnet News]
Museum of Natural History Says It Is Repatriating 124 Human Remains [New York Times]
Female Frogs May Eat Male Suitors After Mating Call in Act of “Sexual Cannibalism,” New Theory Suggests [New York Post]
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Using form and texture informed by his intimate knowledge of Australia’s central desert landscape, Alfred Lowe makes expressive hand-coiled ceramics influenced by his interest in politics and racial justice. The winner of this year’s Shelley Simpson Ceramic Prize wields his medium of choice as an artful conduit for exploring how to navigate the fraught waters of identity and culture in modern times—and delighting in the immense beauty swimming in the in-between.
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| | | Member Spotlight: Ross Gardam
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| Ross Gardam is a team of designers, engineers, and makers who work collaboratively from ideation to realization. The Ross Gardam studio focuses on producing contemporary furniture, lighting, and objects working across a variety of innovative mediums. Merging traditional craft with modern techniques is paramount to Gardam’s methodology and informs each design. All Ross Gardam products are designed and produced in Melbourne.
| Surface Says: Ross Gardam’s eponymous design studio goes beyond the oft-touted virtues of materiality and craft, bringing a focus on inspiring joy and defying convention with creations that span lighting, furniture, and beyond.
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| | Today’s Attractive Distractions
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